The following day, in Keswick, I found myself revisiting Greta Hall.
Of course, while visiting Greta Hall, we were paying homage to Wordsworth's co-creator of the Lyrical Ballads (1798), Samuel Taylor Coleridge:
Whose Rime of the Ancient Mariner tells a great allegorical/symbolic tale of the Christian purgation (painful purging of sin) process, and whose Kubla Khan is so masterfully put to music by my all-time, favourite band, Rush.
However, it is the lesser known Robert Southey who lived much longer at Greta Hall:
Have only encountered Southey's The Cataract of Lodore (1820) poem and The Book of the Church (1824), a history of the Church in England, which was written parallel to Wordsworth's similar themed Ecclesiastical Sonnets (1822/1850) collection.
Unlike the last time I visited Greta Hall, the place now seemed to be occupied so we didn't hang around long.
What a majestic place Greta Hall is, it should be much better known and cherished by English natives as a great piece of English culture.
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